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Manuel Aja Espil

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  • Manuel Aja Espil

    Born 1987 in Buenos Aires, Argentina. Lives and works in Madrid, Spain
  • DOWNLOAD CV
    DOWNLOAD EXHIBITION CATALOGUE of Worlds of Exile
    DOWNLOAD PRESS RELEASE OF WORLDS OF EXILE
    DOWNLOAD "MANUEL AJA ESPIL: ELEVEN PATHS TO PLANETARY EXILES" BY GABRIELA RANGEL
  • Manuel Aja Espil: Worlds of Exile

    3 August - 14 October 2023
  • Manuel Aja Espil's (b. 1987, Buenos Aires, Argentina) introspective practice leads him to research the history and materiality of painting....
    Manuel Aja Espil in his Buenos Aires studio, 2022

    Manuel Aja Espil's (b. 1987, Buenos Aires, Argentina) introspective practice leads him to research the history and materiality of painting. His work depicts imaginary universes that are a fusion of historic European and Argentine pictorial traditions and contemporary iconography. He blends landscape, memory, and fiction, creating strangely familiar, while simultaneously disorienting, compositions.

  • Aja Espil's Practice

    Manuel Aja Espil’s imagination draws on both art history and popular culture. His fascination with science fiction and the dystopian gaze of nature and society leads to his thought-provoking compositions.

     

    Aja Espil's painting was born of his need to create stories. Originally an aspiring filmmaker, he abandoned his initial plan and enrolled in the Artists' Program at the Universidad Torcuato Di Tella in Argentina in 2016. He incorporates tradition, metaphor, and everyday surroundings in his practice, manifesting real and imagined memories.

     

    Aja Espil's most recent paintings include seemingly malformed caricatures, lacking identifying features, such as gender, race, or personality, who are derived from characters of his childhood cartoons, comics, and movies. These playful representations intertwine reality and fantasy.

     

    His works provoke the thought of new possibilities, intertextualities, and narratives. From the Pampa to an ice world in ruins, Aja Espil's compositions inspire us to think of his paintings as a reflection of our obscure world.

  • Manuel Aja Espil, "Invasion of Wilkes Land," 2023, Oil on linen, 56 3/4 x 72 1/2 in (144 x 184 cm)
  • Download Aja Espil's Artist Statement

  • Worlds of Exile at HM&C

    Worlds of Exile was conceived in three groups of works and three genres: portrait and genre painting, landscape, and historical painting. Aja Espil looks to science fiction, art history, and the history of Argentina, as his main sources of inspiration. In doing so, he produces a narrative that recalls his memories of migrating to Spain. He worked on the series during that transitional time, a moment when he questioned his surroundings and place of belonging.

  • 'The characters are figures of my imagination, and the product of a deep interaction with the painting. They are each...
    Manuel Aja Espil, Contemplation, 2023, Oil on linen, 45 5/8 x 33 7/8 in (116 x 86 cm)

    "The characters are figures of my imagination, and the product of a deep interaction with the painting. They are each in dialogue with a background that refers to different geographies, different times, and each has an element of science fiction. They are each suspended in an action on a sort of stage, and in the foreground, there are objects that construct the narrative of each work. Each of these characters represents moments: creativity, reflection, and rest."

     

    -Manuel Aja Espil

  • Characters
    • Manuel Aja Espil, Maja Reading, 2023, Oil on linen, 41 x 56 1/4 in (104 x 143 cm)

      Manuel Aja Espil, Maja Reading, 2023, Oil on linen, 41 x 56 1/4 in (104 x 143 cm)

    • Manuel Aja Espil, Inspiration, 2023, Oil on linen, 45 5/8 x 33 7/8 in (116 x 86 cm)

      Manuel Aja Espil, Inspiration, 2023, Oil on linen, 45 5/8 x 33 7/8 in (116 x 86 cm)

    • Manuel Aja Espil, The Break, 2023, Oil on linen, 45 5/8 x 33 7/8 in (116 x 86 cm)

      Manuel Aja Espil, The Break, 2023, Oil on linen, 45 5/8 x 33 7/8 in (116 x 86 cm)

    • Manuel Aja Espil, Azymetrikah, 2023, Oil on linen, 12 x 10 5/8 in (30 x 27 cm)

      Manuel Aja Espil, Azymetrikah, 2023, Oil on linen, 12 x 10 5/8 in (30 x 27 cm)

  • 'The landscapes, on the other hand, consist of an exercise of imagination: imagining nature without the direct presence of human...
    Manuel Aja Espil, World of Exile, 2023, Oil on linen, 56 1/4 x 41 in (143 x 104 cm)

    "The landscapes, on the other hand, consist of an exercise of imagination: imagining nature without the direct presence of human beings, but indirectly. Technology, objects, skulls, perspectives, spacecrafts, make up the story of what is the trace of the human, and the landscape as a reflective situation of our existence."

     

    -Manuel Aja Espil

     
  • Landscapes
    • Manuel Aja Espil, Force Majeure, 2023, Oil on linen, 41 x 56 1/4 in (104 x 143 cm)

      Manuel Aja Espil, Force Majeure, 2023, Oil on linen, 41 x 56 1/4 in (104 x 143 cm)

    • Manuel Aja Espil, Moon, 2023, Oil on linen, 23 5/8 x 24 in (60 x 61 cm)

      Manuel Aja Espil, Moon, 2023, Oil on linen, 23 5/8 x 24 in (60 x 61 cm)

    • Manuel Aja Espil, Earth, 2023, Oil on linen, 11 3/8 x 11 3/8 in (29 x 29 cm)

      Manuel Aja Espil, Earth, 2023, Oil on linen, 11 3/8 x 11 3/8 in (29 x 29 cm)

    • Manuel Aja Espil, Patagonia, 2023, Oil on linen, 44 7/8 x 33 7/8 in (114 x 86 cm)

      Manuel Aja Espil, Patagonia, 2023, Oil on linen, 44 7/8 x 33 7/8 in (114 x 86 cm)

  • History Painting
    In Aja Espil's history-inspired painting, he uses storytelling and metaphor as a poetic exercise for symbolic transformation. Inspired by science...
    Manuel Aja Espil, "Invasion of Wilkes Land," 2023, Oil on linen, 56 3/4 x 72 1/2 in (144 x 184 cm)

    In Aja Espil's history-inspired painting, he uses storytelling and metaphor as a poetic exercise for symbolic transformation. Inspired by science fiction, the artist considers painting as a means to transmit the knowledge of today's world to future generations.

  • Earlier Works

    Post-Pandemia (Exiles), 2022
    Manuel Aja Espil, Las Guerras del Agua, Post-Pandemia, 2022 (Larger version of this image opens in a popup).
    Manuel Aja Espil, Landscape FedEx, Post-Pandemia, 2022 (Larger version of this image opens in a popup).
    Manuel Aja Espil, Joseph Andreas, Post-Pandemia, 2022 (Larger version of this image opens in a popup).
    Manuel Aja Espil, Migraciones, Post-Pandemia, 2022 (Larger version of this image opens in a popup).
    Manuel Aja Espil, La Pampa, Post-Pandemia, 2022 (Larger version of this image opens in a popup).

    Manuel Aja Espil, Las Guerras del Agua, Post-Pandemia, 2022

  • Manuel Aja Espil, "Azymetrikah & The New World Order," 2019-2022, Oil on canvas, 75 1/4 x 65 3/8 in (191 x 166 cm)
  • ¡Pandemia! Series, 2020-2022

    In ¡Pandemia!, Aja Espil transforms a pictorial world into his immediate environment, while being curious about the identity of the territory of Argentine society in contrast to a background haunted by the mortality and fragility that the pandemic revealed.

    Manuel Aja Espil, Pandemic! (Batman's a Scientist!), ¡Pandemia! (Batman es un Científico!), 2021 (Larger version of this image opens in a popup).
    Manuel Aja Espil, ¡Pandemia!, 2020-2021 (Larger version of this image opens in a popup).
    Manuel Aja Espil, Samson and Dalilah, ¡Pandemia!, 2021 (Larger version of this image opens in a popup).
    Manuel Aja Espil, Malvinas, ¡Pandemia!, 2020 (Larger version of this image opens in a popup).
    Manuel Aja Espil, Los Cuatro Samurai, ¡Pandemia!, 2021 (Larger version of this image opens in a popup).
    Manuel Aja Espil, Corro (el Baquiano), ¡Pandemia!, 2021 (Larger version of this image opens in a popup).

    Manuel Aja Espil, Pandemic! (Batman's a Scientist!), ¡Pandemia! (Batman es un Científico!), 2021

  • Manuel Aja Espil in his Brooklyn studio at ISCP, 2022
  • Joseph Andreas Series, 2018
    Installation View of Joseph Andreas at Quadro Arte Contemporáneo, Buenos Aires
    Joseph Andreas Series, 2018

    Inspired by Rembrandt Van Rijn, Aja Espil created the series Joseph Andreas, which  addresses opposing belief systems: science and mysticism with sarcasm. The series approaches the tradition of genres in a new way, a trend that can be traced throughout Aja Espil's work.

    • Manuel Aja Espil, Constants (of Joseph Andreas), Constantes (de Joseph Andreas), 2018

      Manuel Aja Espil, Constants (of Joseph Andreas), Constantes (de Joseph Andreas), 2018

    • Manuel Aja Espil, Joseph Andreas (The Narcissist), Joseph Andreas (El Narcisista), 2018

      Manuel Aja Espil, Joseph Andreas (The Narcissist), Joseph Andreas (El Narcisista), 2018

    • Manuel Aja Espil, Journeys (of Joseph Andreas), Los Viajes (de Joseph Andreas), 2018

      Manuel Aja Espil, Journeys (of Joseph Andreas), Los Viajes (de Joseph Andreas), 2018

    • Manuel Aja Espil, The Curator (of Joseph Andreas), El Curador (de Joseph Andreas), 2018

      Manuel Aja Espil, The Curator (of Joseph Andreas), El Curador (de Joseph Andreas), 2018

  • Installation Views of "Joseph Andreas" at Quadro Arte Contemporáneo, Buenos Aires
    • Dsc 3014 Como Objeto Inteligente 1 Copia
    • Dsc 3023 Como Objeto Inteligente 1
    • Dsc 3034 Como Objeto Inteligente 1 Copia
    • Dsc 3040 Como Objeto Inteligente 1 Copia
  • Anton Regularis (Biographical Series), 2017
    Installation View of Anton Regularis at Centro Cultural Recoleta, Buenos Aires
    Anton Regularis (Biographical Series), 2017

    Inspired by the European pictorial tradition, Anton Regularis emerges as a cross between science fiction, romantic landscape, and art historical references. In this Western style painting, tradition serves as a resource to create his own narrative. The fiction that Aja Espil builds is that of a figure called "Anton Regularis," a reader of art history who finds memories of his own childhood and travels in each image that he sees.

     

    Anton Regularis becomes a biographical series through the works' titles because Aja Espil narrates the life of the ghostly character, who is wearing an empty astronaut suit. Each painting represents a stage in the life of Anton Regularis. Anton Regularis, The Saxon highlights one of Aja Espil's first excursions into historical references, and The Travels of Anton Regularis inaugurates the representation of his passion for painting landscapes.

     

     

    • Manuel Aja Espil, Journeys (of Anton Regularis), Los Viajes (de Anton Regularis), 2017

      Manuel Aja Espil, Journeys (of Anton Regularis), Los Viajes (de Anton Regularis), 2017

    • Manuel Aja Espil, Last Days (of Anton Regularis), Últimos Días (de Anton Regularis) 2017

      Manuel Aja Espil, Last Days (of Anton Regularis), Últimos Días (de Anton Regularis) 2017

    • Manuel Aja Espil, Anton Regularis, The Saxon, Anton Regularis, El Sajón, 2017

      Manuel Aja Espil, Anton Regularis, The Saxon, Anton Regularis, El Sajón, 2017

    • Manuel Aja Espil, Annunciation (of Anton Regularis), Anunciación (de Anton Regularis), 2017

      Manuel Aja Espil, Annunciation (of Anton Regularis), Anunciación (de Anton Regularis), 2017

    • Manuel Aja Espil, Casa de la Infancia (de Anton Regularis), 2017

      Manuel Aja Espil, Casa de la Infancia (de Anton Regularis), 2017

    • Manuel Aja Espil, Journeys (of Anton Regularis), Los Viajes (de Anton Regularis), 2017

      Manuel Aja Espil, Journeys (of Anton Regularis), Los Viajes (de Anton Regularis), 2017

    • Manuel Aja Espil, Journeys (of Anton Regularis), Los Viajes (de Anton Regularis), 2017

      Manuel Aja Espil, Journeys (of Anton Regularis), Los Viajes (de Anton Regularis), 2017

    • Manuel Aja Espil, Journeys (of Anton Regularis), Los Viajes (de Anton Regularis), 2017

      Manuel Aja Espil, Journeys (of Anton Regularis), Los Viajes (de Anton Regularis), 2017

    • Manuel Aja Espil, Puberty and Adolescence ( of Anton Regularis), Pubertad y Adolescencia (de Anton Regularis), 2017

      Manuel Aja Espil, Puberty and Adolescence ( of Anton Regularis), Pubertad y Adolescencia (de Anton Regularis), 2017

  • Installation Views of "Anton Regularis" at Centro Cultural Recoleta, Buenos Aires
    • Dsc 2298 Como Objeto Inteligente 1 Copia
    • Dsc 2299 Como Objeto Inteligente 1 Copia
    • Dsc 2304 Como Objeto Inteligente 1 Copia
    • Dsc 2306 Como Objeto Inteligente 1 Copia
    • Manuel Aja Espil in his Barcelona studio, 2023

      Manuel Aja Espil in his Barcelona studio, 2023 

    • Aja Espil in his Brooklyn studio at ISCP, 2022

      Aja Espil in his Brooklyn studio at ISCP, 2022

  • Installation Views of "La Cosa Soy Yo" (Thesis Exhibition) at Universidad Torcuato Di Tella, 2016
    • Muestra Final 02 Alta 18
    • Muestra Final Baja 30
    • Muestra Final 02 Alta 19
  • In the Studio

    Aja Espil's studio practice involves working on a constellations of paintings, which cover roughly the entirety of the walls. The group of works or series become chapters of a bigger story. The studio is a panoramic view of the world that Aja Espil wants to present.

    • Aja Espil in his Madrid studio

      Aja Espil in his Madrid studio

    • Aja Espil in his Madrid studio

      Aja Espil in his Madrid studio

    • Aja Espil in his Barcalona studio

      Aja Espil in his Barcalona studio

  • Manuel Aja Espil in "Arte en Juego," Fundación PROA

  • Manuel Aja Espil in "Terapia," MALBA

  • Books That Inspire Manuel Aja Espil's Practice

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  • Publications

    • Arte en Juego, Una Aproximación Lúdica al Arte Argentino, Fundación PROA, 2021
      Publications

      Arte en Juego

      Una Aproximación Lúdica al Arte Argentino, Fundación PROA, 2021
      Manuel Aja Espil participated in a group exhibition that presented a playful approach to Argentine art at PROA Fundación.
    • Terapia, MALBA, 2021
      Publications

      Terapia

      MALBA, 2021
      Manuel Aja Espil participated in a group exhibition at the Museo de Arte Latinoamericano de Buenos Aires (MALBA).

HUTCHINSON MODERN & CONTEMPORARY

47 East 64th Street

New York, NY 10065

212 988 8788

info@hutchinsonmodern.com

 

Hours: 11am - 5pm, Tuesday-Saturday

Other Hours by appointment

 

 

Art of the Americas: focusing on Latin American, U.S. Latinx(o/a/e) & Caribbean art

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