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About the Artist
iliana emilia García is a multimedia artist whose practice spans drawing, painting, printmaking, and installations. She often works in large format drawings on canvas and paper and escalating installations depicting her most iconic symbol: the chair. Her work explores concepts of emotional history, collective and ancestral memory, and intimacy. A co-founder of the Dominican York Proyecto GRÁFICA, she holds an AAS from Altos de Chavón School of Design, a BFA from Parsons School of Design | The New School, and an MA in Biography and Memoir from The Graduate Center, CUNY.
Her work has been written about in numerous art publications and catalogues. García has been featured in solo and duo exhibitions at the Art Museum of the Americas, Taller Boricua, Hostos Community College, New York, and exhibited at BRIC, Brooklyn, NY; Exit Art, NY; No Longer Empty at Sugar Hill, NY; Smithsonian American Art Museum, Washington, DC; El Museo del Barrio, NY; Aljira Center of Contemporary Art, Newark, NJ; Leonora Vega Gallery, NY; Howard Scott Gallery, NY; NOMAA, NY; Joan Guaita, Spain; the 3rd Triennial Poli-Grafica, San Juan, Puerto Rico; Barnard College, NY; Museo de Arte Moderno de El Salvador and many other venues. Her work is included in the permanent collections of the Smithsonian American Art Museum, El Museo del Barrio, The Metropolitan Museum of Art, The Blanton Museum of Art, Texas, Museo Bellapart, El Museo de Arte Moderno in Santo Domingo, and others. -
Inspiration and Influences
García’s work focuses on the “poetic and emotional examination of the history of objects.” Through this, she focuses on the value assigned to objects, such as those that we own, those that come from our homes, and those that follow us through life. Certain objects, such as the chair, are seen as a recurring object which holds memories and signifies resilience. In her work, García visually documents objects that “trigger or build up memory.” Her work aims to link “objects, places, and emotions to convert [the objects themselves] into storytellers in their own right.” For García. The chair represents tradition and visual history; the heart represents a public symbol of intimacy within communal activities. Each of these symbols dierently represent remembrance and can be interpreted as an icon through which history can be told. The objects also represent emotional comfort and demonstrate García’s constant search for satisfaction in tradition.
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The Chair
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Unknown Distances, from the series Unknown Distances/Undiscovered Islands, 2006-2007, printed 2012, inkjet print on canvas, image: 30 x 38 in. (76.2 x 96.5 cm) canvas: 32 x 40 in. (81.3 x 101.6 cm), Smithsonian American Art Museum, Museum purchase made possible by William W. W. Parker, 2013.32.3, © 2006, Iliana Emilia García -
The Heart
From Heart Condition, Series Building a Paradise, 1998 -
Recent Exhibtions
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Aqua Firme
University Art Gallery, University of Pittsburgh, Iliana Emilia García and Scherezade García September 23, 2023 - March 24, 2024 -
Memory Keepers
William Patterson University, Iliana Emilia García and Scherezade García January 31st - April 13th, 2022 -
Harlem's First Large-scale Sculpture Exhibition
Harlem Sculpture Gardens Spring 2024
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Publications
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Videos
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iliana Emilia García
Current viewing_room





