Read Ela Bittencourt's review "Emilio Rodríguez-Larraín's Andean Modernism" in Hyperallergic.
"The works are like maps through which the artist conjures familiar habitats, while tracing the roots of modernism to the graphic expressiveness of Andean art — a middle point between realism and abstraction, of which his land art and monumental earthworks seem like logical extensions."
February 1, 2024
