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iliana Emilia García & Scherezade García
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Unquiet Objects: Works by iliana emilia García and Scherezade García
Marisa LererThe movement of people has continuously shaped cultures across the globe. Landed explores this convergence and confluence of peoples, interactions, ideas, and the materiality of memory through the introspective lenses of iliana emilia García and Scherezade García’s collages, prints, drawings, sculptures, and installation. These pensive artists are sisters who engage intimate shared family histories and both the symbolic and use value of quotidian objects. Their unquiet objects experienced here—including chairs, boats, and life preserver rings—speak to us about the repeated imagery and experience of traveling, leaving home, and creating roots in familiar and new spaces.
iliana emilia and Scherezade approach overlapping issues, address similar problems, and ponder the same questions in their work such as: What are the borders that need to be physically and metaphorically crossed? How does history shape our daily movement and interactions? How do we flow and where do we sit? Despite these shared interrogations, they create deeply distinct aesthetic solutions to these inquiries. iliana emilia sometimes engages frenetic, rigorous lines and often maintains a grounded geometric, repetitious and tonal quality to her work. In turn, Scherezade’s imagery embraces swirling and undulating compositions complemented by a vivid and vivacious color palette. Her watchful figures are sometimes depicted amidst rolling waves.
The García siblings began life playing together as children. They both pursued studies at Altos de Chavón, School of Design in the Dominican Republic and then at Parsons, The New School. Scherezade went onto an MFA at City College CUNY and iliana emilia earned an MA focused in biography at the CUNY Graduate Center. Recently, for the first time, they began working together in the same Brooklyn studio in Sunset Park. This shared space led them to initiate their collaborative artwork, which invites viewers into the intimacy of a family room and an enveloping imaginary of home. Their collective installation echoes a beloved space of their youth where odd and irregularly sized photographs once greeted visitors and their family with shared histories. iliana emilia’s and Scherezade’s place-based practices are rooted in memory and storytelling. In this current exhibition, viewers can experience works from various periods of their careers that engage ideas of passages and crossings. Their most recent works prompt a sense of moving beyond the journey to a feeling of arrival and of return.
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Creating "iliana emilia García & Scherezade García: Landed"
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Artist Biographies
iliana emilia García
Born in Santo Domingo, Dominican Republic, 1970
iliana emilia García is a drawer, painter, printmaker, and installation artist who works in large format drawings on canvas and paper and escalating installations depicting her most iconic symbol: the chair. Her work often explores concepts of emotional history, collective and ancestral memory, and intimacy.
A co-founder of the Dominican York Proyecto GRÁFICA, she holds an AAS from Altos de Chavón School of Design, a BFA from Parsons School of Design | The New School, and an MA in Biography and Memoir from The Graduate Center, CUNY.
Her work has been written about in numerous art publications and catalogues. García has been featured in solo and duo exhibitions at the Art Museum of the Americas, Taller Boricua, Hostos Community College, New York, and exhibited at BRIC, Brooklyn, NY; Exit Art, NY; No Longer Empty at Sugar Hill, NY; Smithsonian American Art Museum, Washington, DC; El Museo del Barrio, NY; Aljira Center of Contemporary Art, Newark, NJ; Leonora Vega Gallery, NY; Howard Scott Gallery, NY; NOMAA, NY; Joan Guaita, Spain; the 3rd Triennial Poli-Grafica, San Juan, Puerto Rico; Barnard College, NY; Museo de Arte Moderno de El Salvador and many other venues. Her work is included in the permanent collections of the Smithsonian American Art Museum, El Museo del Barrio, The Metropolitan Museum of Art, The Blanton Museum of Art, Texas, Museo Bellapart, El Museo de Arte Moderno in Santo Domingo, and others.She has also had a long career in fashion graphics, creating art for companies such as Guess Jeans, Gap, Rocawear, Calvin Klein Jeans, Nautica, Tommy Hilfiger, and others. An edited monograph on her work iliana emilia Garcia: the reason/ the word / the object, was published in 2020 by the Art Museum of the Americas, and edited by Olga U.Herrera, PhD. Furthermore, her artist's papers can be found at the Archives of American Art, Smithsonian Institution. She currently lives and works in Brooklyn, NY.
Scherezade García is a Dominican-born New York artist who currently lives and works between Brooklyn, New York, and Austin, Texas. García is a co-founder of the Dominican York Proyecto GRÁFICA, and she holds an AAS from Altos De Chavón School of Design as well as a BFA from Parsons School of Design | The New School and an MFA from The City College of New York, CUNY. She is also the recipient of the Colene Brown Art Prize (2020) and the Joan Mitchell Foundation Painters & Sculptors Grant (2015). Scherezade sits on the Board of Directors of the College Art Association (2020-2024) as well as being a member of the Artist Advisory Council of Arts Connection and No Longer Empty.
Her practices include painting, printmaking, and installation art, where she explores cultural colonization, politics, allegories of history, collective and ancestral memory and migration. García is the storyteller for her visual works, as she creates narratives alluding to the emotional physicality of art making. For García, she feels, “There is an urgency of a concept to keep alive." "The physical and emotional experience of drawing is essential” to García’s art making.
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Influences
iliana emilia García’s work focuses on the “poetic and emotional examination of the history of objects.” Through this, she focuses on the value assigned to objects, such as those that we own, those that come from our homes, and those that follow us through life. Certain objects, such as the chair, are seen as a recurring object which holds memories and signifies resilience. In her work, García visually documents objects that “trigger or build up memory.” Her work aims to link "objects, places, and emotions to convert [the objects themselves] into storytellers in their own right.” For García, the chair represents tradition and visual history; the heart represents a public symbol of intimacy within communal activities. Each of these symbols represent remembrance and can be interpreted as an icon through which history can be told. The objects also represent emotional comfort and demonstrate García’s constant search for satisfaction in tradition.
Scherezade García is endlessly inspired by her fascination with the social human experience since the “discovery” of America and its multifarious results. This idea is an essential part of García’s discourse and has led to themes in her art such as the mestizo and barroquism as consequences of colonization, the consequences and causes of migration, the questioning or religious and social uses of the notion of paradise and the inversion of traditional beliefs of salvation. García uses and transformed symbols and objects that include life jackets, suitcases, inner tubes, tents, religious icons, and newspaper clippings, to create allegorical narratives.
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iliana emilia García in her Brooklyn studio
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Scherezade García in her Brooklyn studio
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